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A Portrait of the Artist as a Young Man by James Joyce
page 89 of 332 (26%)

But when he had sung his song and withdrawn into a snug corner of the
room he began to taste the joy of his loneliness. The mirth, which in
the beginning of the evening had seemed to him false and trivial, was
like a soothing air to him, passing gaily by his senses, hiding from
other eyes the feverish agitation of his blood while through the
circling of the dancers and amid the music and laughter her glance
travelled to his corner, flattering, taunting, searching, exciting his
heart.

In the hall the children who had stayed latest were putting on their
things: the party was over. She had thrown a shawl about her and, as
they went together towards the tram, sprays of her fresh warm breath
flew gaily above her cowled head and her shoes tapped blithely on the
glassy road.

It was the last tram. The lank brown horses knew it and shook their
bells to the clear night in admonition. The conductor talked with the
driver, both nodding often in the green light of the lamp. On the empty
seats of the tram were scattered a few coloured tickets. No sound of
footsteps came up or down the road. No sound broke the peace of the
night save when the lank brown horses rubbed their noses together and
shook their bells.

They seemed to listen, he on the upper step and she on the lower. She
came up to his step many times and went down to hers again between
their phrases and once or twice stood close beside him for some moments
on the upper step, forgetting to go down, and then went down. His heart
danced upon her movements like a cork upon a tide. He heard what her
eyes said to him from beneath their cowl and knew that in some dim
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