man, with a powerful, mellow baritone, like the round, full notes of a
French horn, played by a virtuoso, was the musical leader of the party.
He never seemed to bother himself about air, notes or words, but
improvised all as he went along, and he sang as the spirit moved him.
He would suddenly break out with--

"Oh, he's gone up dah, nevah to come back agin,"

At this every darkey within hearing would roll out, in admirable
consonance with the pitch, air and time started by the leader--

"O-o-o-o-o-o-o-o-o-o-o-o-o-o-o!"

Then would ring out from the leader as from the throbbing lips of a
silver trumpet

"Lord bress him soul; I done hope he is happy now!"

And the antiphonal two hundred would chant back

"O-o-o-o-o-o-o-o-o-o-o-o-o-o-o!"

And so on for hours. They never seemed to weary of singing, and we
certainly did not of listening to them. The absolute independence of the
conventionalities of tune and sentiment, gave them freedom to wander
through a kaleideoscopic variety of harmonic effects, as spontaneous and
changeful as the song of a bird.

I sat one evening, long after the shadows of night had fallen upon the
hillside, with one of my chums--a Frank Berkstresser, of the Ninth