"Stonewall Jackson Crossing into Maryland," was another travesty, of
about the same literary merit, or rather demerit, as "The Bonnie Blue
Flag." Its air was that of the well-known and popular negro minstrel
song," Billy Patterson." For all that, it sounded very martial and
stirring when played by a brass band.

We heard these songs with tiresome iteration, daily and nightly, during
our stay in the Southern Confederacy. Some one of the guards seemed to
be perpetually beguiling the weariness of his watch by singing in all
keys, in every sort of a voice, and with the wildest latitude as to air
and time. They became so terribly irritating to us, that to this day the
remembrance of those soul-lacerating lyrics abides with me as one of the
chief of the minor torments of our situation. They were, in fact, nearly
as bad as the lice.

We revenged ourselves as best we could by constructing fearfully wicked,
obscene and insulting parodies on these, and by singing them with
irritating effusiveness in the hearing of the guards who were inflicting
these nuisances upon us.

Of the same nature was the garrison music. One fife, played by an
asthmatic old fellow whose breathings were nearly as audible as his
notes, and one rheumatic drummer, constituted the entire band for the
post. The fifer actually knew but one tune "The Bonnie Blue Flag"
--and did not know that well. But it was all that he had, and he played it
with wearisome monotony for every camp call--five or six times a day,
and seven days in the week. He called us up in the morning with it for a
reveille; he sounded the "roll call" and "drill call," breakfast, dinner
and supper with it, and finally sent us to bed, with the same dreary wail
that had rung in our ears all day. I never hated any piece of music as I