Brazilian Sketches by T. Bronson Ray
page 13 of 114 (11%)
page 13 of 114 (11%)
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That one over there is a clerk. But why these fine clothes? Ah!
thereby hangs the tale. Appearance is worshiped. Parade runs through everything, even in the prevailing religion, which, alas, is little more than form--parade. Don't get the idea that everybody is finely dressed and that every handsomely-dressed man is a barber. Many are able to afford such clothes and are cultured gentlemen. One notices most the dress of the lower classes, the most striking article of which is the wooden-bottom sandals into which they thrust their toes and go flapping along in imminent peril of losing the slippers every moment. The remainder of the clothing worn by these beslippered people consists often of only two thin garments. Certainly this is a place of great contrasts. But somehow these contrasts do not impress one as being incongruous. They are in perfect keeping with their surroundings. Rio is really a cosmopolitan city and is a pleasant blending of the old and the new. There are several places from which splendid views of the city can be had, but none of them is comparable to the panorama which stretches out before one when he stands on the top of Mt. Corcovado. The scene which greets one from this mountain is indescribable. The Bay of Rio de Janeiro, with its eighty islands, Sugar Loaf Mountain, a bare rock standing at the entrance, the city winding its tortuous way in and out between the mountains and spreading itself over many hills, the open sea in the distance and the wild mountain scenery to the back of us, constitute a panorama surpassingly beautiful. Nictheroy lies just across the bay. We went over there one night and spoke in the rented hall where our church worships, and spent |
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