that ingredient; it plucks its material, otherwise expressed, in
the garden of life--which material elsewhere grown is stale and
uneatable. But it has no sooner done this than it has to take
account of a PROCESS--from which only when it's the basest of the
servants of man, incurring ignominious dismissal with no
"character," does it, and whether under some muddled pretext of
morality or on any other, pusillanimously edge away. The process,
that of the expression, the literal squeezing-out, of value is
another affair--with which the happy luck of mere finding has
little to do. The joys of finding, at this stage, are pretty well
over; that quest of the subject as a whole by "matching," as the
ladies say at the shops, the big piece with the snippet, having
ended, we assume, with a capture. The subject is found, and if the
problem is then transferred to the ground of what to do with it
the field opens out for any amount of doing. This is precisely the
infusion that, as I submit, completes the strong mixture. It is on
the other hand the part of the business that can least be likened
to the chase with horn and hound. It's all a sedentary part--
involves as much ciphering, of sorts, as would merit the highest
salary paid to a chief accountant. Not, however, that the chief
accountant hasn't HIS gleams of bliss; for the felicity, or at
least the equilibrium of the artist's state dwells less, surely,
in the further delightful complications he can smuggle in than in
those he succeeds in keeping out. He sows his seed at the risk of
too thick a crop; wherefore yet again, like the gentlemen who
audit ledgers, he must keep his head at any price. In consequence
of all which, for the interest of the matter, I might seem here to
have my choice of narrating my "hunt" for Lambert Strether, of
describing the capture of the shadow projected by my friend's
anecdote, or of reporting on the occurrences subsequent to that