devotion dulled by the imposition of interminable "pious practices." It
was in his nature to grudge no sacrifice to his ideals, and he might
have accomplished without question the monotonous observances his
confessor exacted, but for the changed aspect of the Deity in whose name
they were imposed.

As with most thoughtful natures, Odo's first disillusionment was to come
from discovering not what his God condemned, but what He condoned.
Between Cantapresto's coarse philosophy of pleasure and the refined
complaisances of his new confessor he felt the distinction to be one
rather of taste than of principle; and it seemed to him that the
religion of the aristocracy might not unfairly be summed up in the
ex-soprano's cynical aphorism: "As respectful children of our Heavenly
Father it behoves us not to speak till we are spoken to."

Even the religious ceremonies he witnessed did not console him for that
chill hour of dawn, when, in the chapel at Donnaz, he had served the
mass for Don Gervaso, with a heart trembling at its own unworthiness yet
uplifted by the sense of the Divine Presence. In the churches adorned
like aristocratic drawing-rooms, of which some Madonna, wreathed in
artificial flowers, seemed the amiable and indulgent hostess, and where
the florid passionate music of the mass was rendered by the King's opera
singers before a throng of chattering cavaliers and ladies, Odo prayed
in vain for a reawakening of the old emotion. The sense of sonship was
gone. He felt himself an alien in the temple of this affable divinity,
and his heart echoed no more than the cry which had once lifted him on
wings of praise to the very threshold of the hidden glory--

Domine, dilexi decorem domus tuae et locum habitationis gloriae tuae!