The Conflict by David Graham Phillips
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something for her besides merely marrying and breeding--just as
much for her as for a man. But what? If she should marry a man who would let her rule him, she would despise him. If she should marry a man she could respect--a man who was of the master class like her father--how she would hate him for ignoring her and putting her in her ordained inferior feminine place. She glanced down at her skirts with an angry sense of enforced masquerade. And then she laughed --for she had a keen sense of humor that always came to her rescue when she was in danger of taking herself too seriously. Through the foliage between her and the last of the stretches of highroad winding up from Remsen City she spied a man climbing in her direction--a long, slim figure in cap, Norfolk jacket and knickerbockers. Instantly--and long before he saw her--there was a grotesque whisking out of sight of the serious personality upon which we have been intruding. In its stead there stood ready to receive the young man a woman of the type that possesses physical charm and knows how to use it--and does not scruple to use it. For a woman to conquer man by physical charm is far and away the easiest, the most fleeting and the emptiest of victories. But for woman thus to conquer without herself yielding anything whatsoever, even so little as an alluring glance of the eye--that is quite another matter. It was this sort of conquest that Jane Hastings delighted in--and sought to gain with any man who came within range. If the men had known what she was about, they would have denounced her conduct as contemptible and herself as immoral, even brazen. But in their innocence they accused only their sophisticated and superbly masculine selves and regarded her as the soul of innocence. This was the more absurd in them |
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