The Conflict by David Graham Phillips
page 272 of 399 (68%)
page 272 of 399 (68%)
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``Selma knows that I care. I told her the night of the riot.'' ``Good-by,'' said Victor in a tone she thought it wise not to dispute. ``I'll be in the woods above the park at ten tomorrow,'' she said in an undertone. Then to Selma, unsmilingly: ``You're not interrupting. I'm going.'' Selma advanced. The two girls looked frank hostility into each other's eyes. Jane did not try to shake hands with her. With a nod and a forced smile of conventional friendliness upon her lips, she passed her and went through the house and into the street. She lingered at the gate, opening and closing it in a most leisurely fashion--a significantly different exit from her furtive and ashamed entrance. Love and revolt were running high and hot in her veins. She longed openly to defy the world--her world. VII Impulse was the dominant strain in Selma Gordon's character--impulse and frankness. But she was afraid of Victor Dorn as we all are afraid of those we deeply respect--those whose respect is the mainstay of our self-confidence. She was moving toward him to pour out the violence that was raging in her on the |
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