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Life of Chopin by Franz Liszt
page 12 of 172 (06%)
inches square, as the Vision of Ezekiel, or Le Cimetiere by
Ruysdael, is placed among the chefs d'oeuvre, and is more highly
valued than pictures of a far larger size, even though they might
be from the hands of a Rubens or a Tintoret. In literature, is
Beranger less a great poet, because he has condensed his thoughts
within the narrow limits of his songs? Does not Petrarch owe his
fame to his Sonnets? and among those who most frequently repeat
their soothing rhymes, how many know any thing of the existence
of his long poem on Africa? We cannot doubt that the prejudice
which would deny the superiority of an artist--though he should
have produced nothing but such Sonatas as Franz Schubert has
given us--over one who has portioned out the insipid melodies of
many Operas, which it were useless to cite, will disappear; and
that in music, also, we will yet take into account the eloquence
and ability with which the thoughts and feelings are expressed,
whatever may be the size of the composition in which they are
developed, or the means employed to interpret them.

In making an analysis of the works of Chopin, we meet with
beauties of a high order, expressions entirely new, and a
harmonic tissue as original as erudite. In his compositions,
boldness is always justified; richness, even exuberance, never
interferes with clearness; singularity never degenerates into
uncouth fantasticalness; the sculpturing is never disorderly; the
luxury of ornament never overloads the chaste eloquence of the
principal lines. His best works abound in combinations which may
be said to form an epoch in the handling of musical style.
Daring, brilliant and attractive, they disguise their profundity
under so much grace, their science under so many charms, that it
is with difficulty we free ourselves sufficiently from their
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