A History of Greek Art by Frank Bigelow Tarbell
page 11 of 177 (06%)
page 11 of 177 (06%)
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works of man surviving to us are tombs and their contents. These
tombs have no longer the simple mastaba form, but are either built up of sun-dried brick in the form of a block capped by a pyramid or are excavated in the rock. The former class offers little interest from the architectural point of view. But some of the rock-cut tombs of Beni-hasan, belonging to the Twelfth Dynasty, exhibit a feature which calls for mention. These tombs have been so made as to leave pillars of the living rock standing, both at the entrance and in the chapel. The simplest of these pillars are square in plan and somewhat tapering. Others, by the chamfering off of their edges, have been made eight-sided. A repetition of the process gave sixteen-sided pillars. The sixteen sides were then hollowed out (channeled). The result is illustrated by Fig. 6. It will be observed that the pillar has a low, round base, with beveled edge; also, at the top, a square abacus, which is simply a piece of the original four-sided pillar, left untouched. Such polygonal pillars as these are commonly called proto-Doric columns. The name was given in the belief that these were the models from which the Greeks derived their Doric columns, and this belief is still held by many authorities. With the New Empire we begin to have numerous and extensive remains of temples, while those of an earlier date have mostly disappeared. Fig. 7 may afford some notion of what an Egyptian temple was like. This one is at Luxor, on the site of ancient Thebes in Upper Egypt. It is one of the largest of all, being over 800 feet in length. Like many others, it was not originally planned on its present scale, but represents two or three successive periods of construction, Ramses II., of the Nineteenth Dynasty, having given it its final form by adding to an already |
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