so. But how delightful is the picture of childish innocence and
self-forgetfulness! This statue might be regarded as an epitome of
the artistic spirit and capacity of the age--its simplicity and
purity and freshness of feeling, its not quite complete
emancipation from the formalism of an earlier day.





CHAPTER VIII

THE GREAT AGE OF GREEK SCULPTURE FIRST PERIOD 450-400 B.C.


The Age of Pericles, which, if we reckon from the first entrance
of Pericles, into politics, extended from about 466 to 429, has
become proverbial as a period of extraordinary artistic and
literary splendor. The real ascendancy of Pericles began in 447,
and the achievements most properly associated with his name belong
to the succeeding fifteen years. Athens at this time possessed
ample material resources, derived in great measure from the
tribute of subject allies, and wealth was freely spent upon noble
monuments of art. The city was fled with artists of high and low
degree. Above them all in genius towered Phidias, and to him, if
we may believe the testimony of Plutarch, [Footnote: Life of
Pericles Section 13] a general superintendence of all the artistic
undertakings of the state was intrusted by Pericles.

Great as was the fame of Phidias in after ages, we are left in