fish, both of them skilfully conventionalized. It is interesting
to note how the antennae of the butterfly and still more the arms
of the cuttle-fish are made to end in the favorite spiral.

The sculptures and gold objects which have been thus far described
or referred to were in all probability executed by native, or at
any rate by resident, workmen, though some of the patterns clearly
betray oriental influence. Other objects must have been, others
may have been, actually imported from Egypt or the East. It is
impossible to draw the line with certainty between native and
imported. Thus the admirable silver head of a cow from one of the
shaft-graves (Fig. 36) has been claimed as an Egyptian or a
Phenician production, but the evidence adduced is not decisive.
Similarly with the fragment of a silver vase shown in Fig. 37.
This has a design in relief (repousse) representing the siege of a
walled town or citadel. On the walls is a group of women making
frantic gestures. The defenders, most of them naked, are armed
with bows and arrows and slings. On the ground lie sling-stones
and throwing-sticks,[Footnote: So explained by Mr A. J. Evans in
The Journal of Hellenic Studies, XIII., page 199. ] which may be
supposed to have been hurled by the enemy. In the background there
are four nondescript trees, perhaps intended for olive trees.

Another variety of Mycenaean metal-work is of a much higher order
of merit than the dramatic but rude relief on this silver vase. I
refer to a number of inlaid dagger-blades, which were found in two
of the shaft-graves. Fig. 38 reproduces one side of the finest of
these. It is about nine inches long. The blade is of bronze, while
the rivets by which the handle was attached are of gold. The
design was inlaid in a separate thin slip of bronze, which was