Book-bot.com - read famous books online for free

A History of Greek Art by Frank Bigelow Tarbell
page 47 of 177 (26%)
column and entablature. Our illustrations, however, show all the
features of a Doric and an Ionic facade. There are several points
of agreement between the two: in each the columns rest on a
stepped base, called the crepidoma, the uppermost step of which is
the stylobate; in each the shaft of the column tapers from the
lower to the upper end, is channeled or fluted vertically, and is
surmounted by a projecting member called a capital; in each the
entablature consists of three members--architrave, frieze, and
cornice. There the important points of agreement end. The
differences will best be fixed in mind by a detailed examination
of each order separately.

Our typical example of the Doric order (Fig. 51) is taken from the
Temple of Aphaia on the island of Aegina--a temple probably
erected about 480 B.C. (cf. Fig. 52.) The column consists of two
parts, shaft and capital. It is of sturdy proportions, its height
being about five and one half times the lower diameter of the
shaft. If the shaft tapered upward at a uniform rate, it would
have the form of a truncated cone. Instead of that, the shaft has
an ENTASIS or swelling. Imagine a vertical section to be made
through the middle of the column. If, then, the diminution of the
shaft were uniform, the sides of this section would be straight
lines. In reality, however, they are slightly curved lines, convex
outward. This addition to the form of a truncated cone is the
entasis. It is greatest at about one third or one half the height
of the shaft, and there amounts, in cases that have been measured,
to from 1/80 to 1/140 of the lower diameter of the
shaft.[Footnote: Observe that the entasis is so slight that the
lowest diameter of the shaft is always the greatest diameter. The
illustration is unfortunately not quite correct, since it gives
DigitalOcean Referral Badge