improvement over that. Some bits of a sculptured cornice
belonging to the same temple are also refined in style. In this
group of reliefs, fragmentary though they are, we have an
indication of the development attained by Ionic sculptors about
the middle of the sixth century. For, of course, though Croesus
paid for the columns, the work was executed by Greek artists upon
the spot, and presumably by the best artists that could be
secured. We may therefore use these sculptures as a standard by
which to date other works, whose date is not fixed for us by
external evidence.





CHAPTER VI.

THE ARCHAIC PERIOD OF GREEK SCULPTURE SECOND HALF 550-480 B.C.


Greek sculpture now enters upon a stage of development which
possesses for the modern student a singular and potent charm True,
many traces still remain of the sculptor's imperfect mastery. He
cannot pose his figures in perfectly easy attitudes not even in
reliefs, where the problem is easier than in sculpture in the
round. His knowledge of human anatomy--that is to say, of the
outward appearance of the human body, which is all the artistic
anatomy that any one attempted to know during the rise and the
great age of Greek sculpture--is still defective, and his means of
expression are still imperfect. For example, in the nude male