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A History of Greek Art by Frank Bigelow Tarbell
page 92 of 177 (51%)
Athenian Acropolis in 1885-90 In regard to these important
excavations it must be remembered that in 480 and again in 479 the
Acropolis was occupied by Persians belonging to Xerxes' invading
army, who reduced the buildings and sculptures on that site to a
heap of fire-blackened ruins This debris was used by the Athenians
in the generation immediately following toward raising the general
level of the summit of the Acropolis. All this material, after
having been buried for some twenty three and a half centuries, has
now been recovered. In the light of the newly found remains, which
include numerous inscribed pedestals, it is seen that under the
rule of Pisistratus and his sons Athens attracted to itself
talented sculptors from other Greek communities, notably from
Chios and Ionia generally. It is to Ionian sculptors and to
Athenian sculptors brought under Ionian influences that we must
attribute almost all those standing female figures which form the
chief part of the new treasures of the Acropolis Museum.

The figures of this type stand with the left foot, as a rule, a
little advanced, the body and head facing directly forward with
primitive stiffness. But the arms no longer hang straight at the
sides, one of them, regularly the right, being extended from the
elbow, while the other holds up the voluminous drapery. Many of
the statues retain copious traces of color on hair, eyebrows,
eyes, draperies, and ornaments; in no case does the flesh give any
evidence of having been painted (cf. page 119). Fig. 89 is taken
from an illustration which gives the color as it was when the
statue was first found, before it had suffered from exposure. Fig.
90 is not in itself one of the most pleasing of the series, but it
has a special interest, not merely on account of its exceptionally
large size--it is over six and a half feet high--but because we
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