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A History of Greek Art by Frank Bigelow Tarbell
page 95 of 177 (53%)
in a profile view, there is nothing to mar our pleasure. The
sculptor's hand has responded cunningly to his beautiful thought.

It is a pity not to be able to illustrate another group of Attic
sculptures of the late archaic period, the most recent addition to
our store. The metopes of the Treasury of the Athenians at Delphi,
discovered during the excavations now in progress, are of
extraordinary interest and importance; but only two or three of
them have yet been published, and these in a form not suited for
reproduction. The same is the case with another of the recent
finds at Delphi, the sculptured frieze of the Treasury of the
Cnidians, already famous among professional students and destined
to be known and admired by a wider public. Here, however, it is
possible to submit a single fragment, which was found years ago
(Fig. 97). It represents a four-horse chariot approaching an
altar. The newly found pieces of this frieze have abundant remains
of color. The work probably belongs in the last quarter of the
sixth century.

The pediment-figures from Aegina, the chief treasure of the Munich
collection of ancient sculpture, were found in 1811 by a party of
scientific explorers and were restored in Italy under the
superintendence of the Danish sculptor, Thorwaldsen. Until lately
these AEginetan figures were our only important group of late
archaic Greek sculptures; and, though that is no longer the case,
they still retain, and will always retain, an especial interest
and significance. They once filled the pediments of a Doric temple
of Aphaia, of which considerable remains are still standing. There
is no trustworthy external clue to the date of the building, and
we are therefore obliged to depend for that on the style of the
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