A History of Greek Art by Frank Bigelow Tarbell
page 97 of 177 (54%)
page 97 of 177 (54%)
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wear upon their faces the same conventional smile.
The group in the eastern pediment corresponds closely in subject and composition to that in the western, but is of a distinctly more advanced style. Only five figures of this group were sufficiently preserved to be restored. Of these perhaps the most admirable is the dying warrior from the southern corner of the pediment (Fig. 99), in which the only considerable modern part is the right leg, from the middle of the thigh. The superiority of this and its companion figures to those of the western pediment lies, as the Munich catalogue points out, in the juster proportions of body, arms, and legs, the greater fulness of the muscles, the more careful attention to the veins and to the qualities of the skin, the more natural position of eyes and mouth. This dying man does not smile meaninglessly. His lips are parted, and there is a suggestion of death-agony on his countenance. In both pediments the figures are carefully finished all round; there is no neglect, or none worth mentioning, of those parts which were destined to be invisible so long as the figures were in position. The Strangford "Apollo" (Fig. 100) is of uncertain provenience, but is nearly related in style to the marbles of Aegina. This statue, by the position of body, legs, and head, belongs to the series of "Apollo" figures discussed above (pages 129-32); but the arms were no longer attached to the sides, and were probably bent at the elbows. The most obvious traces of a lingering archaism, besides the rigidity of the attitude, are the narrowness of the hips and the formal arrangement of the hair, with its double row of snail-shell curls. The statue has been spoken of by a high |
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