Ordeal of Richard Feverel — Volume 1 by George Meredith
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his friend was a sort of poet. His wife had his whole heart, and his
friend all his confidence. When he selected Denzil Somers from among his college chums, it was not on account of any similarity of disposition between them, but from his intense worship of genius, which made him overlook the absence of principle in his associate for the sake of such brilliant promise. Denzil had a small patrimony to lead off with, and that he dissipated before he left college; thenceforth he was dependent upon his admirer, with whom he lived, filling a nominal post of bailiff to the estates, and launching forth verse of some satiric and sentimental quality; for being inclined to vice, and occasionally, and in a quiet way, practising it, he was of course a sentimentalist and a satirist, entitled to lash the Age and complain of human nature. His earlier poems, published under the pseudonym of Diaper Sandoe, were so pure and bloodless in their love passages, and at the same time so biting in their moral tone, that his reputation was great among the virtuous, who form the larger portion of the English book-buying public. Election-seasons called him to ballad-poetry on behalf of the Tory party. Dialer possessed undoubted fluency, but did tittle, though Sir Austin was ever expecting much of him. A languishing, inexperienced woman, whose husband in mental and in moral stature is more than the ordinary height above her, and who, now that her first romantic admiration of his lofty bearing has worn off, and her fretful little refinements of taste and sentiment are not instinctively responded to, is thrown into no wholesome household collision with a fluent man, fluent in prose and rhyme. Lady Feverel, when she first entered on her duties at Raynham, was jealous of her husband's friend. By degrees she tolerated him. In time he touched his guitar in her chamber, and they played Rizzio and Mary together. |
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