his lofty watch-tower of the System had foreseen it, he said. But when
he came to hear that the youth was writing poetry, his wounded heart had
its reasons for being much disturbed.

"Surely," said Lady Blandish, "you knew he scribbled?"

"A very different thing from writing poetry," said the baronet. "No
Feverel has ever written poetry."

"I don't think it's a sign of degeneracy," the lady remarked. "He rhymes
very prettily to me."

A London phrenologist, and a friendly Oxford Professor of poetry, quieted
Sir Austin's fears.

The phrenologist said he was totally deficient in the imitative faculty;
and the Professor, that he was equally so in the rhythmic, and instanced
several consoling false quantities in the few effusions submitted to him.
Added to this, Sir Austin told Lady Blandish that Richard had, at his
best, done what no poet had ever been known to be capable of doing: he
had, with his own hands, and in cold blood, committed his virgin
manuscript to the flames: which made Lady Blandish sigh forth, "Poor
boy!"

Killing one's darling child is a painful imposition. For a youth in his
Blossoming Season, who fancies himself a poet, to be requested to destroy
his first-born, without a reason (though to pretend a reason cogent
enough to justify the request were a mockery), is a piece of abhorrent
despotism, and Richard's blossoms withered under it. A strange man had
been introduced to him, who traversed and bisected his skull with