Ordeal of Richard Feverel — Volume 4 by George Meredith
page 87 of 106 (82%)
page 87 of 106 (82%)
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Music was proposed. There are times when soft music hath not charms; when it is put to as base uses as Imperial Caesar's dust and is taken to fill horrid pauses. Angelica Forey thumped the piano, and sang: "I'm a laughing Gitana, ha-ha! ha-ha!" Matilda Forey and her cousin Mary Branksburne wedded their voices, and songfully incited all young people to Haste to the bower that love has built, and defy the wise ones of the world; but the wise ones of the world were in a majority there, and very few places of assembly will be found where they are not; so the glowing appeal of the British ballad-monger passed into the bosom of the emptiness he addressed. Clare was asked to entertain the company. The singular child calmly marched to the instrument, and turned over the appropriate illustrations to the ballad-monger's repertory. Clare sang a little Irish air. Her duty done, she marched from the piano. Mothers are rarely deceived by their daughters in these matters; but Clare deceived her mother; and Mrs. Doria only persisted in feeling an agony of pity for her child, that she might the more warrantably pity herself--a not uncommon form of the emotion, for there is no juggler like that heart the ballad-monger puts into our mouths so boldly. Remember that she saw years of self-denial, years of a ripening scheme, rendered fruitless in a minute, and by the System which had almost reduced her to the condition of constitutional hypocrite. She had enough of bitterness to brood over, and some excuse for self-pity. Still, even when she was cooler, Mrs. Doria's energetic nature prevented her from giving up. Straws were straws, and the frailer they were the harder she clutched them. She rose from her chair, and left the room, calling to Adrian to follow |
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