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Ordeal of Richard Feverel — Volume 4 by George Meredith
page 87 of 106 (82%)

Music was proposed. There are times when soft music hath not charms;
when it is put to as base uses as Imperial Caesar's dust and is taken to
fill horrid pauses. Angelica Forey thumped the piano, and sang: "I'm a
laughing Gitana, ha-ha! ha-ha!" Matilda Forey and her cousin Mary
Branksburne wedded their voices, and songfully incited all young people
to Haste to the bower that love has built, and defy the wise ones of the
world; but the wise ones of the world were in a majority there, and very
few places of assembly will be found where they are not; so the glowing
appeal of the British ballad-monger passed into the bosom of the
emptiness he addressed. Clare was asked to entertain the company. The
singular child calmly marched to the instrument, and turned over the
appropriate illustrations to the ballad-monger's repertory.

Clare sang a little Irish air. Her duty done, she marched from the
piano. Mothers are rarely deceived by their daughters in these matters;
but Clare deceived her mother; and Mrs. Doria only persisted in feeling
an agony of pity for her child, that she might the more warrantably pity
herself--a not uncommon form of the emotion, for there is no juggler like
that heart the ballad-monger puts into our mouths so boldly. Remember
that she saw years of self-denial, years of a ripening scheme, rendered
fruitless in a minute, and by the System which had almost reduced her to
the condition of constitutional hypocrite. She had enough of bitterness
to brood over, and some excuse for self-pity.

Still, even when she was cooler, Mrs. Doria's energetic nature prevented
her from giving up. Straws were straws, and the frailer they were the
harder she clutched them.

She rose from her chair, and left the room, calling to Adrian to follow
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