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Rhoda Fleming — Volume 2 by George Meredith
page 6 of 119 (05%)
enemy retired upon the threat that there should be no more pushing past
him to get back to seats for the next act.

"I paid," said Anthony; "and you're a ticketer, and you ticketers sha'
n't stop me. I'm worth a thousand of you. Holloa, sir," he cried to
Algernon; "I didn't know you. I'm much obliged. These chaps get tickets
given 'm, and grow as cocky in a theatre as men who pay. He never had
such wine in him as I've got. That I'd swear. Ha! ha! I come out for an
airing after every act, and there's a whole pitfall of ticketers yelling
and tearing, and I chaff my way through and back clean as a red-hot
poker."

Anthony laughed, and rolled somewhat as he laughed.

"Come along, sir, into the street," he said, boring on to the pavement.
"It's after office hours. And, ha! ha! what do you think? There's old
farmer in there, afraid to move off his seat, and the girl with him,
sticking to him tight, and a good girl too. She thinks we've had too
much. We been to the Docks, wine-tasting: Port--Sherry: Sherry--Port!
and, ha! ha! 'what a lot of wine!' says farmer, never thinking how much
he's taking on board. "I guessed it was night," says farmer, as we got
into the air, and to see him go on blinking, and stumbling, and saying to
me, 'You stand wine, brother Tony!' I'm blest if I ain't bottled
laughter. So, says I, 'come and see "The Holly Berries," brother William
John; it's the best play in London, and a suitable winter piece.' 'Is
there a rascal hanged in the piece?' says he. 'Oh, yes!' I let him fancy
there was, and he--ha! ha! old farmer's sticking to his seat, solemn as a
judge, waiting for the gallows to come on the stage."

A thought quickened Algernon's spirit. It was a notorious secret among
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