VITTORIA

By George Meredith



BOOK 4.

XX. THE OPERA OF CAMILLA
XXI. THE THIRD ACT
XXII. WILFRID COMES FORWARD
XXIII. FIRST HOURS OF THE FLIGHT
XXIV. ADVENTURES OF VITTORIA AND ANGELO
XXV. ACROSS THE MOUNTAINS



CHAPTER XX

THE OPERA OF CAMILLA

She was dressed like a noble damsel from the hands of Titian. An Italian
audience cannot but be critical in their first glance at a prima donna,
for they are asked to do homage to a queen who is to be taken on her
merits: all that they have heard and have been taught to expect of her is
compared swiftly with the observation of her appearance and her manner.
She is crucially examined to discover defects. There is no boisterous
loyalty at the outset. And as it was now evident that Vittoria had
chosen to impersonate a significant character, her indications of method
were jealously watched for a sign of inequality, either in her, motion,