applauding her vehemently was irresistible.

Camilla is charged with conspiracy, and proved guilty by her own
admission.

The Act ends with the entry of Count Orso and his force; conspirators
overawed; Camilla repudiated; Count Orso imperially just; Leonardo
chagrined; Camillo pardoned; Michiella triumphant. Camillo sacrifices
his wife for safety. He holds her estates; and therefore Count Orso,
whose respect for law causes him to have a keen eye for matrimonial
alliances, is now paternally willing, and even anxious to bestow
Michiella upon him when the Pontifical divorce can be obtained; so that
the long-coveted fruitful acres may be in the family. The chorus sings a
song of praise to Hymen, the 'builder of great Houses.' Camilla goes
forth into exile. The word was not spoken, but the mention of 'bread of
strangers, strange faces, cold climes,' said sufficient.

'It is a question whether we ought to sit still and see a firebrand
flashed in our faces,' General Pierson remarked as the curtain fell. He
was talking to Major de Pyrmont outside the Duchess of Graatli's box.
Two General officers joined them, and presently Count Serabiglione, with
his courtly semi-ironical smile, on whom they straightway turned their
backs. The insult was happily unseen, and the count caressed his shaven
chin and smiled himself onward. The point for the officers to decide
was, whether they dared offend an enthusiastic house--the fiery core of
the population of Milan--by putting a stop to the opera before worse
should come.

Their own views were entirely military; but they were paralyzed by the
recent pseudo-liberalistic despatches from Vienna; and agreed, with some