would not be seen. Presently there was a view of the violet domes of a
city. 'Is it Bergamo?--is it Brescia?' she longed to ask, thinking of
her Bergamasc and Brescian friends, and of those two places famous for
the bravery of their sons: one being especially dear to her, as the
birthplace of a genius of melody, whose blood was in her veins. 'Did he
look on these mulberry trees?--did he look on these green-grassed
valleys?--did he hear these falling waters?' she asked herself, and
closed her spirit with reverential thoughts of him and with his music.
She saw sadly that they were turning from the city. A little ball of
paper was shot into her lap. She opened it and read: 'An officer of the
cavalry.--Beppo.' She put her hand out of the window to signify that she
was awake to the situation. Her anxiety, however, began to fret. No
sight of Giacinta was to be had in any direction. Her mistress commenced
chiding the absent garrulous creature, and did so until she pitied her,
when she accused herself of cowardice, for she was incapable of calling
out to the coachman to stop. The rapid motion subdued such energy as
remained to her, and she willingly allowed her hurried feelings to rest
on the faces of rocks impending over long ravines, and of perched old
castles and white villas and sub-Alpine herds. She burst from the
fascination as from a dream, but only to fall into it again, reproaching
her weakness, and saying, 'What a thing am I!' When she did make her
voice heard by Herr Johannes and the coachman, she was nervous and
ashamed, and met the equivocating pacification of the reply with an
assent half-way, though she was far from comprehending the consolation
she supposed that it was meant to convey. She put out her hand to
communicate with Beppo. Another ball of pencilled writing answered to
it. She read: 'Keep watch on this Austrian. Your maid is two hours in
the rear. Refuse to be separated from me. My life is at your service.
--Beppo.'