He would have allowed Rinaldo to be strung up, and Barto does not owe him
obedience in those things."

"But why did this Barto Rizzo employ a woman's hand?"

"The woman was capable. No man could have got permission to move freely
among the rascal Austrians, even in the character of a deserter. She
did, and she saved him from the shame of execution. And besides, it was
her punishment. You are astonished? Barto Rizzo punishes royally. He
never forgives, and he never persecutes; he waits for his opportunity.
That woman disobeyed him once--once only; but once was enough. It
occurred in Milan, I believe. She released an Austrian, or did something
--I don't know the story exactly--and Barto said to her, 'Now you can
wash out your crime and send your boy to heaven unspotted, with one
blow.' I saw her set out to do it. She was all teeth and eyes, like a
frightened horse; she walked like a Muse in a garden."

Vittoria discovered that her presence among the Austrians had been known
to Carlo. Leone alluded slightly to Barto Rizzo's confirmed suspicion of
her, saying that it was his weakness to be suspicious of women. The
volunteers, however, were all in her favour, and had jeered at Barto on
his declaring that she might, in proof of her willingness to serve the
cause, have used her voice for the purpose of subjugating the wavering
Austro-Italians, who wanted as much coaxing as women. Count Karl had
been struck to earth by Barto Rizzo. "Not with his boasted neatness, I
imagine," Leone said. In fact, the dagger had grazed an ivory portrait
of a fair Italian head wreathed with violets in Count Karl's breast.

Vittoria recognized the features of Violetta d'Isorella as the original
of the portrait.