directly speak of it, but shadowed it in allusive hints, much as if she
had in her mind the image of an iron roller going over a field of flowers
--hateful, imminent, irresistible. She felt as a leaf that has been
flying before the gale.

Merthyr's wound was severe: Vittoria could not leave him. Her resolution
to stay in Milan brought her into collision with Countess Ammiani, when
the countess reminded her of her promise, sedately informing her that she
was no longer her own mistress, and had a primary duty to fulfil. She
offered to wait three days, or until the safety of the wounded man was
medically certified to. It was incomprehensible to her that Vittoria
should reject her terms; and though it was true that she would not have
listened to a reason, she was indignant at not hearing one given in
mitigation of the offence. She set out alone on her journey, deeply
hurt. The reason was a feminine sentiment, and Vittoria was naturally
unable to speak it. She shrank with pathetic horror from the thought of
Merthyr's rising from his couch to find her a married woman, and desired
most earnestly that her marriage should be witnessed by him. Young women
will know how to reconcile the opposition of the sentiment. Had Merthyr
been only slightly wounded, and sound enough to seem to be able to bear
a bitter shock, she would not have allowed her personal feelings to cause
chagrin to the noble lady. The sight of her dear steadfast friend
prostrate in the cause of Italy, and who, if he lived to rise again,
might not have his natural strength to bear the thought of her loss with
his old brave firmness, made it impossible for her to act decisively in
one direct line of conduct.

Countess Ammiani wrote brief letters from Luino and Pallanza on Lago
Maggiore. She said that Carlo was in the Como mountains; he would expect
to find his bride, and would accuse his mother; "but his mother will be