rarities of beauty, as the ripple rocks the light; mouth, eyes, brows,
nostrils, and bloomy cheeks played into one another liquidly; thought
flew, tongue followed, and the flash of meaning quivered over them like
night-lightning. Or oftener, to speak truth, tongue flew, thought
followed: her age was but newly seventeen, and she was French.

Her name was Renee. She was the only daughter of the Comte de Croisnel.
Her brother Roland owed his life to Nevil, this Englishman proud of a
French name--Nevil Beauchamp. If there was any warm feeling below the
unruffled surface of the girl's deliberate eyes while gazing on him,
it was that he who had saved her brother must be nearly brother himself,
yet was not quite, yet must be loved, yet not approached. He was her
brother's brother-in-arms, brother-in-heart, not hers, yet hers through
her brother. His French name rescued him from foreignness. He spoke her
language with a piquant accent, unlike the pitiable English. Unlike
them, he was gracious, and could be soft and quick. The battle-scarlet,
battle-black, Roland's tales of him threw round him in her imagination,
made his gentleness a surprise. If, then, he was hers through her
brother, what was she to him? The question did not spring clearly within
her, though she was alive to every gradual change of manner toward the
convalescent necessitated by the laws overawing her sex.

Venice was the French girl's dream. She was realizing it hungrily,
revelling in it, anatomizing it, picking it to pieces, reviewing it,
comparing her work with the original, and the original with her first
conception, until beautiful sad Venice threatened to be no more her
dream, and in dread of disenchantment she tried to take impressions
humbly, really tasked herself not to analyze, not to dictate from a
French footing, not to scorn. Not to be petulant with objects
disappointing her, was an impossible task. She could not consent to a