flapping their leathern straps to terrorize us from experiments in
imagery, will best be satisfied, by the statement that she was
indescribable: a term that exacts no labour of mind from him or from
them, for it flows off the pen as readily as it fills a vacuum.

That posture of Renee displeased Cecilia and fascinated her. In an
exhibition of paintings she would have passed by it in pure displeasure:
but here was Nevil's first love, the woman who loved him; and she was
French. After a continued study of her Cecilia's growing jealousy
betrayed itself in a conscious rivalry of race, coming to the admission
that Englishwomen cannot fling themselves about on the floor without
agonizing the graces: possibly, too, they cannot look singularly without
risks in the direction of slyness and brazen archness; or talk animatedly
without dipping in slang. Conventional situations preserve them and
interchange dignity with them; still life befits them; pre-eminently that
judicial seat from which in briefest speech they deliver their judgements
upon their foreign sisters. Jealousy it was that plucked Cecilia from
her majestic place and caused her to envy in Renee things she would
otherwise have disapproved.

At last she had seen the French lady's likeness! The effect of it was a
horrid trouble in Cecilia's cool blood, abasement, a sense of eclipse,
hardly any sense of deserving worthiness: 'What am I but an heiress!'
Nevil had once called her beautiful; his praise had given her beauty.
But what is beauty when it is outshone! Ask the owners of gems. You
think them rich; they are pining.

Then, too, this Renee, who looked electrical in repose, might really love
Nevil with a love that sent her heart out to him in his enterprises,
justifying and adoring him, piercing to the hero in his very thoughts.