Mademoiselle had to say to herself: 'Impossible!' after seeing the drift
of her dear Nesta's eyes in the wake of the colossal English clergyman.
She fed her incredulousness indignantly on the evidence confounding it.
Nataly was aware of unusual intonations, treble-stressed, in the Bethesda
and the Galilee of Mr. Barmby on Concert evenings: as it were, the
towering wood-work of the cathedral organ in quake under emission of its
multitudinous outroar. The 'Which?' of the Rev. Septimus, addressed to
Nesta, when song was demanded of him; and her 'Either'; and his gentle
hesitation, upon a gaze at her for the directing choice, could not be
unnoticed by women.

Did he know a certain thing?--and dream of urging the suit, as an
indulgent skipper of parental pages?

Such haunting interrogations were the conspirators' daggers out at any
instant, or leaping in sheath, against Nataly's peace of mind. But she
trusted her girl's laughing side to rectify any little sentimental
overbalancing. She left the ground where maternal meditations are
serious, at an image of Mr. Barmby knocking at Nesta's heart as a lover.
Was it worth inquiry?

A feminine look was trailed across the eyes of mademoiselle, with mention
of Mr. Barmby's name.

Mademoiselle rippled her shoulders. 'We are at present much enamoured of
Bethesda.'

That watchfullest showing no alarm, the absurdity of the suspicion
smothered it.