She won a party in the widening gossip world; and enough of a party in
the regent world to make a stream. Pretending to be the actual Countess
of Ormont, though not publicly acknowledged as his countess by the earl,
she had on her side the strenuous few who knew and liked her, some who
were pleased compassionately to patronize, all idle admirers of a
shadowed beautiful woman at bay, the devotees of any beauty in distress,
and such as had seen, such as imagined they had seen, such as could paint
a mental picture of a lady of imposing stature, persuasive appearance,
pathetic history, and pronounce her to be unjustly treated, with a
general belief that she was visible and breathing. She had the ready
enthusiasts, the responsive sentimentalists, and an honest active minor
number, of whom not every one could be declared perfectly unspotted in
public estimation, however innocent under verdict of the courts of law.

Against her was the livid cloud-bank over a flowery field, that has not
yet spoken audible thunder: the terrible aggregate social woman, of man's
creation, hated by him, dreaded, scorned, satirized, and nevertheless,
upheld, esteemed, applauded: a mark of civilization, on to which our
human society must hold as long as we have nothing humaner. She exhibits
virtue, with face of waxen angel, with paw of desert beast, and blood
of victims on it. Her fold is a genial climate and the material
pleasures for the world's sheepy: worshipping herself, she claims the
sanctification of a performed religion. She is gentle when unassailed,
going her way serenely, with her malady in the blood. When the skin
bears witness to it, she swallows an apothecary, and there is a short
convulsion. She is refreshed by cutting off diseased inferior members:
the superior betraying foul symptoms, she covers up and retains;
rationally, too, for they minister to her present existence, and she
lives all in the present. Her subjects are the mixed Subservient; among