so provoking. Aminta was launching a dream of a lass she had seen in a
field, near a white hawthorn, standing upright, her left arm aloft round
the pole of a rake, the rim of her bonnet tipped on her forehead; an
attitude of a rustic.

Britannia with helmet heeling at dignity. The girl's eyes hung to the
passing chariot, without movement of her head. It was Aminta who looked
back, and she saw the girl looking away. Among the superior dames and
damsels she had seen, there was not one to match that figure for stately
air, gallant ease, and splendour of pose. Matthew Weyburn would have
admired the girl. Aminta did better than envy, she cast off the last
vestiges of her bitter ambition to be a fine lady, and winged into the
bosom of the girl, and not shyly said 'yes' to Matthew Weyburn, and to
herself, deep in herself: 'A maid has no need to be shy.' Hardly
blushing, she walks on into the new life beside him, and hears him say:
'I in my way, you in yours; we are equals, the stronger for being
equals,' and she quite agrees, and she gives him the fuller heart for
his not requiring her to be absorbed--she is the braver mate for him.
Does not that read his meaning? Happiest of the girls of earth, she has
divined it at once, from never having had the bitter ambition to be a
slave, that she might wear rich tissues; and let herself be fettered,
that she might loll in idleness; lose a soul to win a title; escape
commonplace to discover it ghastlier under cloth of gold, and the animal
crowned, adored, fattened, utterly served, in the class called by consent
of human society the Upper.

Reason whispered a reminder of facts to her.

'But I am not the Countess of Ormont!' she said. She felt herself the
girl, her sensations were so intensely simple.