'Here we come to another portrait of the beautiful but, we fear, naughty
Countess of Cressett.'

You are to imagine that they know everything, and they are so indulgent
when they drop their blot on a lady's character.

They can boast of nothing more than having read Nymriey's Letters and
Correspondence, published, fortunately for him, when he was no longer to
be called to account below for his malicious insinuations, pretending to
decency in initials and dashes: That man was a hater of women and the
clergy. He was one of the horrid creatures who write with a wink at you,
which sets the wicked part of us on fire: I have known it myself, and I
own it to my shame; and if I happened to be ignorant of the history of
Countess Fanny, I could not refute his wantonness. He has just the same
benevolent leer for a bishop. Give me, if we are to make a choice, the
beggar's breech for decency, I say: I like it vastly in preference to a
Nymney, who leads you up to the curtain and agitates it, and bids you to
retire on tiptoe. You cannot help being angry with the man for both
reasons. But he is the writer society delights in, to show what it is
composed of. A man brazen enough to declare that he could hold us in
suspense about the adventures of a broomstick, with the aid of a yashmak
and an ankle, may know the world; you had better not know him--that is my
remark; and do not trust him.

He tells the story of the Old Buccaneer in fear of the public, for it was
general property, but of course he finishes with a Nymney touch: 'So the
Old Buccaneer is the doubloon she takes in exchange for a handful of
silver pieces.' There is no such handful to exchange--not of the kind he
sickeningly nudges at you. I will prove to you it was not Countess