hero, would carry her head to look virgin eyes as she did. One could
swear to them, Gower thought. Contact with her spirited him out of his
mooniness.

He had the Cymric and Celtic respect of character; which puts aside the
person's environments to face the soul. He was also an impressionable
fellow among his fellows, a philosopher only at his leisure, in his
courted solitudes. Getting away some strides from this girl of the
drilling voice,--the shudder-voice, he phrased it,--the lady for whom she
pleaded came clearer into his view and gradually absorbed him; though it
was an emulation with the girl Madge, of which he was a trifle conscious,
that drove him to do his work of service in the directest manner. He
then fancied the girl had caught something of the tone of her lady: the
savage intensity or sincerity; and he brooded on Carinthia's position,
the mixture of the astounding and the woful in her misadventure. One
could almost laugh at our human fate, to think of a drop off the radiant
mountain heights upon a Whitechapel greengrocer's shop, gathering the
title of countess midway.

But nothing of the ludicrous touched her; no, and if we bring reason to
scan our laugh at pure humanity, it is we who are in the place of the
ridiculous, for doing what reason disavows. Had he not named her,
Carinthia, Saint and Martyr, from a first perusal of her face? And Lord
Fleetwood had read and repeated it. Lord Fleetwood had become the
instrument to martyrize her? That might be; there was a hoard of bad
stuff in his composition besides the precious: and this was a nobleman
owning enormous wealth, who could vitiate himself by disposing of a
multitude of men and women to serve his will, a shifty will. Wealth
creates the magician, and may breed the fiend within him. In the hands
of a young man, wealth is an invitation to devilry. Gower's idea of the