heights where mists were--she is actually glorified. Her friend--I do
believe a friend--the Mr. Woodseer you are to remember meeting somewhere
--a sprained ankle--has a dozen similes ready for what she is when pain
or happiness vivify her. Or, it may be, tender charity. She says, that
if she feels for suffering people, it is because she is the child of
Chillon's mother. In like manner Chillon is the son of Janey's father.

'Mr. Woodseer came every other evening. Our only enlivenment. Livia
followed her policy, in refusing to call. We lived luxuriously; no
money, not enough for a box at the opera, though we yearned--you can
imagine. Chapters of philosophy read out and expounded instead. Janey
likes them. He sets lessons to her queer maid--reading, writing,
pronunciation of English. An inferior language to Welsh, for poetical
purposes, we are informed. So Janey--determining to apply herself to
Welsh, and a chameleon Riette dreading that she will be taking a contrary
view of the honest souls--as she feels them to be--when again under
Livia's shadow.

'The message from Janey to Scrope's hotel was despatched half-an-hour
after we had driven in from the park; fruit of a brown meditation. I
wrote it--third person--a single sentence. Arrangements are made for her
to travel comfortably. It is funny--the shops for her purchases of
clothes, necessaries, etc., are specified; she may order to any extent.
Not a shilling of money for her poor purse. What can be the secret of
that? He does nothing without an object. To me, uniformly civil, no
irony, few compliments. Livia writes, that I am commended for keeping
Janey company. What can be the secret of a man scrupulously just with
one hand, and at the same time cruel with the other? Mr. Woodseer says,
his wealth:--"More money than is required for their needs, men go into
harness to Plutus,"--if that is clever.