The good fellow was perhaps absurdly poetical. Still we must have poetry
to hallow this and other forms of energy: or say, if you like, the right
view of them impels to poetry. Otherwise we are in the breeding yards,
among the litters and the farrows. It is a question of looking down or
looking up. If we are poor creatures--as we are if we do but feast and
gamble and beget--we shall run for a time with the dogs and come to the
finish of swine. Better say, life is holy! Why, then have we to thank
her who teaches it.

He gazed at the string of visions of the woman naming him husband, making
him a father: the imagined Carinthia--beautiful Gorgon, haggard Venus;
the Carinthia of the precipice tree-shoot; Carinthia of the ducal
dancing-hall; and she at the altar rails; she on the coach box; she
alternately softest of brides, doughtiest of Amazons. A mate for the
caress, an electrical heroine, fronted him.

Yes, and she was Lord Fleetwood's wife, cracking sconces,--a demoiselle
Moll Flanders,--the world's Whitechapel Countess out for an airing,
infernally earnest about it, madly ludicrous; the schemer to catch his
word, the petticoated Shylock to bind him to the letter of it; now
persecuting, haunting him, now immoveable for obstinacy; malignant to
stay down in those vile slums and direct tons of sooty waters on his head
from its mains in the sight of London, causing the least histrionic of
men to behave as an actor. He beheld her a skull with a lamp behind the
eyeholes.

But this woman was the woman who made him a father; she was the mother of
the heir of the House; and the boy she clasped and suckled as her boy was
his boy. They met inseparably in that new life.