A shade of surprise was on Caroline's forehead. 'Shall I?' She had a dim
momentary thought that the sight of the beautiful face would not be good
for Patrick.

'Yes; let him see the woman who could throw herself away on that branded
villain called a prince, abjuring her Church for a little fouler than
hangman to me and every gentleman alive. I desire that he should see it.
Submission to the demands of her husband's policy required it of her,
she says! Show it him when he returns; you have her miniature in your
keeping. And to-morrow take him to look at the full-length of her before
she left England and ceased to be a lady of our country. I will order it
to be placed in the armoury. Let him see the miniature of her this day.'

Mr. Adister resolved at the same time that Patrick should have his
portrait of the prince for a set-off to the face of his daughter. He
craved the relief it would be to him to lay his colours on the prince for
the sparkling amazement of one whom, according to Caroline's description,
he could expect to feel with him acutely, which neither his niece nor his
lawyer had done: they never did when he painted the prince. He was
unstrung, heavily plunged in the matter of his chagrin and grief: his
unhealed wound had been scraped and strewn with salt by his daughter's
letter; he had a thirst for the kind of sympathy he supposed he would
find in the young Irishman's horror at the husband of the incomparable
beauty now past redemption degraded by her hideous choice; lost to
England and to her father and to common respect. For none, having once
had the picture of the man, could dissociate them; they were like heaven
and its reverse, everlastingly coupled in the mind by their opposition of
characters and aspects. Her father could not, and he judged of others by
himself. He had been all but utterly solitary since her marriage,
brooded on it until it saturated him; too proud to speak of the thing