the place, which had precipitated him thus far upon his road: he had a
horror of scenes where a faithless girl had betrayed her lover. Love was
his visionary temple, and his idea of love was the solitary light in it,
painfully susceptible to coldair currents from the stories of love abroad
over the world. Faithlessness he conceived to be obnoxious to nature; it
stained the earth and was excommunicated; there could be no pardon of the
crime, barely any for repentance. He conceived it in the feminine; for
men are not those holy creatures whose conduct strikes on the soul with
direct edge: a faithless man is but a general villain or funny monster, a
subject rejected of poets, taking no hue in the flat chronicle of
history: but a faithless woman, how shall we speak of her! Women,
sacredly endowed with beauty and the wonderful vibrating note about the
very mention of them, are criminal to hideousness when they betray. Cry,
False! on them, and there is an instant echo of bleeding males in many
circles, like the poor quavering flute-howl of transformed beasts, which
at some remembering touch bewail their higher state. Those women are
sovereignly attractive, too, loathsomely. Therein you may detect the
fiend.

Our moralist had for some time been glancing at a broad, handsome old
country mansion on the top of a wooded hill backed by a swarm of mountain
heads all purple-dark under clouds flying thick to shallow, as from a
brush of sepia. The dim silver of half-lighted lakewater shot along
below the terrace. He knew the kind of sky, having oftener seen that
than any other, and he knew the house before it was named to him and he
had flung a discolouring thought across it. He contemplated it placably
and studiously, perhaps because the shower-folding armies of the fields
above likened its shadowed stillness to that of his Irish home. There
had this woman lived! At the name of Earlsfont she became this witch,
snake, deception. Earlsfont was the title and summary of her black