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Celt and Saxon — Volume 2 by George Meredith
page 35 of 127 (27%)
he was caught by the masterly playing of a sonata by the chief of the
poets of sound.

He was caught by it, but he took the close of the introductory section,
an allegro con brio, for the end, and she had to hush at him again, and
could not resist smiling at her lullaby to the prattler. Patrick smiled
in response. Exchanges of smiles upon an early acquaintance between two
young people are peeps through the doorway of intimacy. She lost sight
of the Jesuit. Under the influence of good music, too, a not
unfavourable inclination towards the person sitting beside us and sharing
that sweetness, will soften general prejudices--if he was Irish, he was
boyishly Irish, not like his inscrutable brother; a better, or hopefuller
edition of Captain Con; one with whom something could be done to steady
him, direct him, improve him. He might be taught to appreciate Beethoven
and work for his fellows. 'Now does not that touch you more deeply than
the Italian?' said she, delicately mouthing: 'I, mio tradito amor!'

'Touch, I don't know,' he was honest enough to reply. 'It's you that
haven't given it a fair chance I'd like to hear it again. There's a
forest on fire in it.'

'There is,' she exclaimed. 'I have often felt it, but never seen it.
You exactly describe it. How true!'

'But any music I could listen to all day and all the night,' said he.

'And be as proud of yourself the next morning?'

Patrick was rather at sea. What could she mean?

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