Celt and Saxon — Volume 2 by George Meredith
page 35 of 127 (27%)
page 35 of 127 (27%)
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he was caught by the masterly playing of a sonata by the chief of the
poets of sound. He was caught by it, but he took the close of the introductory section, an allegro con brio, for the end, and she had to hush at him again, and could not resist smiling at her lullaby to the prattler. Patrick smiled in response. Exchanges of smiles upon an early acquaintance between two young people are peeps through the doorway of intimacy. She lost sight of the Jesuit. Under the influence of good music, too, a not unfavourable inclination towards the person sitting beside us and sharing that sweetness, will soften general prejudices--if he was Irish, he was boyishly Irish, not like his inscrutable brother; a better, or hopefuller edition of Captain Con; one with whom something could be done to steady him, direct him, improve him. He might be taught to appreciate Beethoven and work for his fellows. 'Now does not that touch you more deeply than the Italian?' said she, delicately mouthing: 'I, mio tradito amor!' 'Touch, I don't know,' he was honest enough to reply. 'It's you that haven't given it a fair chance I'd like to hear it again. There's a forest on fire in it.' 'There is,' she exclaimed. 'I have often felt it, but never seen it. You exactly describe it. How true!' 'But any music I could listen to all day and all the night,' said he. 'And be as proud of yourself the next morning?' Patrick was rather at sea. What could she mean? |
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