Margarita had commenced fingering the cameo, as if to tear it away; but
Aunt Lisbeth's finish made her laugh outright.

'Where I see no harm, aunty, I shall think the good God is,' she
answered; 'and where I see there's harm, I shall think Satan lurks.'

A simper of sour despair passed over Aunt Lisbeth. She sighed, and was
silent, being one of those very weak reeds who are easily vanquished and
never overcome.

'Let us go on with the Tapestry, child,' said she.

Now, Margarita was ambitious of completing a certain Tapestry for
presentation to Kaiser Heinrich on his entry into Cologne after his last
campaign on the turbaned Danube. The subject was again her beloved
Siegfried slaying the Dragon on Drachenfels. Whenever Aunt Lisbeth
indulged in any bitter virginity, and was overmatched by Margarita's
frank maidenhood, she hung out this tapestry as a flag of truce. They
were working it in bits, not having contrivances to do it in a piece.
Margarita took Siegfried and Aunt Lisbeth the Dragon. They shared the
crag between them. A roguish gleam of the Rhine toward Nonnenwerth could
be already made out, Roland's Corner hanging like a sentinel across the
chanting island, as one top-heavy with long watch.

Aunt Lisbeth was a great proficient in the art, and had taught Margarita.
The little lady learnt it, with many other gruesome matters, in the
Palatine of Bohemia's family. She usually talked of the spectres of
Hollenbogenblitz Castle in the passing of the threads. Those were dismal
spectres in Bohemia, smelling of murder and the charnel-breath of
midnight. They uttered noises that wintered the blood, and revealed