more than mine.

She is pretty, is she not?' said Miss Pollingray.

She is almost beautiful,' I exclaimed, and Miss Pollingray, seeing my
curiosity, was kind enough not to keep me in suspense.

'That is the Marquise de Mazardouin--nee Louise de Riverolles. You will
see other portraits of her in the house. This is the most youthful of
them, if I except one representing a baby, and bearing her initials.'

I remembered having noticed a similarity of feature in some of the
portraits in the different rooms. My longing to look at them again was
like a sudden jet of flame within me. There was no chance of seeing them
till morning; so, promising myself to dream of the face before me,
I dozed through a conversation with my hostess, until I had got the
French lady's eyes and hair and general outline stamped accurately, as I
hoped, on my mind. I was no sooner on my way to bed than all had faded.
The torment of trying to conjure up that face was inconceivable. I lay,
and tossed, and turned to right and to left, and scattered my sleep;
but by and by my thoughts reverted to Mr. Pollingray, and then like
sympathetic ink held to the heat, I beheld her again; but vividly,
as she must have been when she was sitting to the artist. The hair was
naturally crisped, waving thrice over the forehead and brushed clean from
the temples, showing the small ears, and tied in a knot loosely behind.
Her eyebrows were thick and dark, but soft; flowing eyebrows; far
lovelier, to my thinking, than any pencilled arch. Dark eyes, and full,
not prominent. I find little expression of inward sentiment in very
prominent eyes. On the contrary they seem to have a fish-like dependency
of gaze on what is without, and show fishy depths, if any. For instance,