attitude of horror and surprise; his body was bent far back, and his
eyes, which seemed starting out of his head, were fixed upon a mark on
the sand--a large distinct mark--a human footprint. . . .

Reader, is it necessary to name the book which now stood open in my hand,
and whose very prints, feeble expounders of its wondrous lines, had
produced within me emotions strange and novel? Scarcely--for it was a
book which has exerted over the minds of Englishmen an influence
certainly greater than any other of modern times--which has been in most
people's hands, and with the contents of which even those who cannot read
are to a certain extent acquainted--a book from which the most luxuriant
and fertile of our modern prose writers have drunk inspiration--a book,
moreover, to which, from the hardy deeds which it narrates, and the
spirit of strange and romantic enterprise which it tends to awaken,
England owes many of her astonishing discoveries both by sea and land,
and no inconsiderable part of her naval glory.

Hail to thee, spirit of De Foe! What does not my own poor self owe to
thee? England has better bards than either Greece or Rome, yet I could
spare them easier far than De Foe, 'unabashed De Foe,' as the hunchbacked
rhymer styled him.

The true chord had now been touched; a raging curiosity with respect to
the contents of the volume, whose engravings had fascinated my eye,
burned within me, and I never rested until I had fully satisfied it;
weeks succeeded weeks, months followed months, and the wondrous volume
was my only study and principal source of amusement. For hours together
I would sit poring over a page till I had become acquainted with the
import of every line. My progress, slow enough at first, became by
degrees more rapid, till at last, under 'a shoulder of mutton sail,' I