On Conducting (Üeber Das Dirigiren) : a Treatise on Style in the Execution of Classical Music, by Richard Wagner
page 93 of 95 (97%)
page 93 of 95 (97%)
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inner happiness: It is as though he were listening to the very
tones emitted by the phenomena, that move, aerial and again firm, in rhythmical dance before him. He contemplates Life, and appears to reflect how he is to play a dance for Life itself (Short Adagio 3/4); a short, but troubled meditation--as though he were diving into the soul's deep dream. He has again caught sight of the inner side of the world; he wakens and strikes the strings for a dance, such as the world has never heard (Allegro Finale). It is the World's own dance; wild delight, cries of anguish, love's ecstacy, highest rapture, misery, rage; voluptuous now, and sorrowful; lightnings quiver, storm's roll; and high above the gigantic musician! banning and compelling all things, proudly and firmly wielding them from whirl to whirlpool, to the abyss.-- He laughs at himself; for the incantation was, after all, but play to him. Thus night beckons. His day is done. "It is not possible to consider the man, Beethoven, in any sort of light, without at once having recourse to the wonderful musician, by way of elucidation." APPENDIX C. [See p. 24 of "Bericht" and "Wagner, Ges. Schriften," Vol. VIII., p. 186.] |
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