whether an academy for design might not greatly conduce to the
perfecting those manufactures among us?

70. Qu. Whether France and Flanders could have drawn so much money
from England for figured silks, lace, and tapestry, if they had not
had academies for designing?

71. Qu. Whether, when a room was once prepared, and models in
plaster of Paris, the annual expense of such an academy need stand
the pubic in above two hundred pounds a year?

72. Qu. Whether our linen-manufacture would not find the benefit of
this institution? And whether there be anything that makes us fall
short of the Dutch in damasks, diapers, and printed linen, but our
ignorance in design?

73. Qu. Whether those specimens of our own manufacture, hung up in a
certain public place, do not sufficiently declare such our
ignorance? and whether for the honour of the nation they ought not
to be removed?

74. Qu. Whether those who may slight this affair as notional have
sufficiently considered the extensive use of the art of design, and
its influence in most trades and manufactures, wherein the forms of
things are often more regarded than the materials?

75. Qu. Whether there be any art sooner learned than that of making
carpets? And whether our women, with little time and pains, may not
make more beautiful carpets than those imported from Turkey? And
whether this branch of the woollen manufacture be not open to us?