And miseries enough it has to face. Day by day the limping figures
grow more numerous on the pavement, the pale bandaged heads more
frequent in passing carriages. In the stalls at the theatres and
concerts there are many uniforms; and their wearers usually have to
wait till the hall is emptied before they hobble out on a supporting
arm. Most of them are very young, and it is the expression of their
faces which I should like to picture and interpret as being the very
essence of what I have called the look of Paris. They are grave,
these young faces: one hears a great deal of the gaiety in the
trenches, but the wounded are not gay. Neither are they sad,
however. They are calm, meditative, strangely purified and matured.
It is as though their great experience had purged them of pettiness,
meanness and frivolity, burning them down to the bare bones of
character, the fundamental substance of the soul, and shaping that
substance into something so strong and finely tempered that for a
long time to come Paris will not care to wear any look unworthy of
the look on their faces.






IN ARGONNE

I