"I Faraglioni? Yes, she called it that," answered the man
with the white face. "There was some story--but that--"

He put his hand to his forehead again. "No," he said, "I
forget that story."

"Well, that is the first thing I remember, the first dream I
had, that little shaded room and the beautiful air and sky and that
dear lady of mine, with her shining arms and her graceful robe, and
how we sat and talked in half whispers to one another. We talked
in whispers not because there was any one to hear, but because
there was still such a freshness of mind between us that our
thoughts were a little frightened, I think, to find themselves at
last in words. And so they went softly.

"Presently we were hungry and we went from our apartment,
going by a strange passage with a moving floor, until we came to
the great breakfast room--there was a fountain and music. A
pleasant and joyful place it was, with its sunlight and splashing,
and the murmur of plucked strings. And we sat and ate and smiled
at one another, and I would not heed a man who was watching me from
a table near by.

"And afterwards we went on to the dancing-hall. But I cannot
describe that hall. The place was enormous--larger than any
building you have ever seen--and in one place there was the old
gate of Capri, caught into the wall of a gallery high overhead.
Light girders, stems and threads of gold, burst from the pillars
like fountains, streamed like an Aurora across the roof and
interlaced, like--like conjuring tricks. All about the great