The Dawn of a To-morrow by Frances Hodgson Burnett
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page 2 of 71 (02%)
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such conditions the soft, thick, yellow gloom has its picturesque and
even humorous aspect. One feels enclosed by it at once fantastically and cosily, and is inclined to revel in imaginings of the picture outside, its Rembrandt lights and orange yellows, the halos about the street-lamps, the illumination of shop-windows, the flare of torches stuck up over coster barrows and coffee-stands, the shadows on the faces of the men and women selling and buying beside them. Refreshed by sleep and comfort and surrounded by light, warmth, and good cheer, it is easy to face the day, to confront going out into the fog and feeling a sort of pleasure in its mysteries. This is one way of looking at it, but only one. The other way is marked by enormous differences. A man--he had given his name to the people of the house as Antony Dart-- awakened in a third-story bedroom in a lodging-house in a poor street in London, and as his consciousness returned to him, its slow and reluctant movings confronted the second point of view--marked by enormous differences. He had not slept two consecutive hours through the night, and when he had slept he had been tormented by dreary dreams, which were more full of misery because of their elusive vagueness, which kept his tortured brain on a wearying strain of effort to reach some definite understanding of them. Yet when he awakened the consciousness of being again alive was an awful thing. If the dreams could have faded into blankness and all have passed with the passing of the night, how he could have thanked whatever gods there be! Only not to awake--only not to awake! But he had awakened. The clock struck nine as he did so, consequently he knew the hour. The lodging-house slavey had aroused him by coming to light the fire. She |
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