"What shape?"

March outlined it for her, and his wife seized its main features with the
intuitive sense of affairs which makes women such good business-men when
they will let it.

"It sounds perfectly crazy," she said, finally. "But it mayn't be. The
only thing I didn't like about Mr. Fulkerson was his always wanting to
chance things. But what have you got to do with it?"

"What have I got to do with it?" March toyed with the delay the question
gave him; then he said, with a sort of deprecatory laugh: "It seems that
Fulkerson has had his eye on me ever since we met that night on the
Quebec boat. I opened up pretty freely to him, as you do to a man you
never expect to see again, and when I found he was in that newspaper
syndicate business I told him about my early literary ambitions--"

"You can't say that I ever discouraged them, Basil," his wife put in. "I
should have been willing, any time, to give up everything for them."

"Well, he says that I first suggested this brilliant idea to him. Perhaps
I did; I don't remember. When he told me about his supplying literature
to newspapers for simultaneous publication, he says I asked: 'Why not
apply the principle of co-operation to a magazine, and run it in the
interest of the contributors?' and that set him to thinking, and he
thought out his plan of a periodical which should pay authors and artists
a low price outright for their work and give them a chance of the profits
in the way of a percentage. After all, it isn't so very different from
the chances an author takes when he publishes a book. And Fulkerson