Imagination, Grace and Beauty, all those qualities which are to the
work of Art what scent and colour are to the flower, can only grow
towards heaven by taking root in earth. Is not the noblest poetry of
prose fiction the poetry of every-day truth?

Directing my characters and my story, then, towards the light of
Reality wherever I could find it, I have not hesitated to violate some
of the conventionalities of sentimental fiction. For instance, the
first love-meeting of two of the personages in this book, occurs
(where the real love-meeting from which it is drawn, occurred) in the
very last place and under the very last circumstances which the
artifices of sentimental writing would sanction. Will my lovers excite
ridicule instead of interest, because I have truly represented them as
seeing each other where hundreds of other lovers have first seen each
other, as hundreds of people will readily admit when they read the
passage to which I refer? I am sanguine enough to think not.

So again, in certain parts of this book where I have attempted to
excite the suspense or pity of the reader, I have admitted as
perfectly fit accessories to the scene the most ordinary street-sounds
that could be heard, and the most ordinary street-events that could
occur, at the time and in the place represented--believing that by
adding to truth, they were adding to tragedy--adding by all the force
of fair contrast--adding as no artifices of mere writing possibly
could add, let them be ever so cunningly introduced by ever so crafty
a hand.

Allow me to dwell a moment longer on the story which these pages
contain.