Miss Fountain's face promptly wreathed itself into an expectant smile.
She abandoned her hand and her ear, and leaned her graceful person
toward her aunt, while that lady murmured to her in low and thrilling
tones--his eyes, his long hair, his imaginative expressions, his
romantic projects of frugal love; how her harsh papa had warned Adonis
off the premises; how Adonis went without a word (as pale as death,
love), and soon after, in his despair, flung himself--to an ugly
heiress; and how this disappointment had darkened her whole life, and
so on.

Perhaps, if Adonis had stood before her now, rolling his eyes, and his
phrases hot from the annuals, the flourishing matron might have sent
him to the servants' hall with a wave of her white and jeweled hand.
But the melody disarms this sort of brutal criticism--a woman's voice
relating love's young dream; and then the picture--a matron still
handsome pouring into a lovely virgin's ear the last thing she ought;
the young beauty's eyes mimicking sympathy; the ripe beauty's soft,
delicious accents--purr! purr! purr!

Crash overhead! a window smashed aie! aie! clatter! clatter! screams
of infantine rage and feminine remonstrance, feet pattering, and a
general hullabaloo, cut the soft recital in two. The ladies clasped
hands, like guilty things surprised.

Lucy sprang to her feet; the oppressed one sank slowly and gracefully
back, inch by inch, on the ottoman, with a sigh of ostentatious
resignation, and gazed, martyr-like, on the chandelier.

"Will you not go up to the nursery?" cried Lucy, in a flutter.