tremendous journey if one has the perceiving faculty. In Sing Fat's a
bit of old Cloissonne, tiny pieces of enamel on silver, done with
infinite pains by hand labor, perhaps centuries ago, grown beautiful
with age. In the White House georgette flowers, exquisite things made
for the passing minute, a whiff and a whim and off they go. Just in
these two there is a meeting of the centuries, Handcraft Days and the
Machine Age - B. C. and A. D. - the oldest civilization in the world and
the newest.

The most interesting thing in Chinatown are the Chinese. To some they
all look alike, but to me they seem very human and individual and
folksy. I find myself paraphrasing: "But for the grace of God there goes
John Bradford," and when I meet a crafty looking old Chinaman this
whimsy comes to me, "If Deacon Bushnell who passed the plate in the
Centerville Methodist Church had been a Chinaman this is the way he
would have looked." They are such small town folks. Even with the steady
cycle of tourists they gaze at each newcomer as though he were the
latest comer to Podunk. One day with a friend I called on a Chinese
girl, and all the large family and their friends gathered around and
discussed us and laughed among themselves and pointed at us. It was
embarrassing but I was never once conscious of rudeness, simply a
childlike curiosity and honesty.

In Chinatown the other day a peddler was selling spectacles and somehow
the old men trying them on and squinting for "near" and for "far,"
seemed so quaint and countrified and like a lot of old Yankees around a
country store trying to get a "new pair of eyes, by Heck." In Chinatown
the tong men do not seem at all real and the hair raising movie serial
with its Chinatown terrors, Buddhist idols that open and swallow the
movie actors and floors that drop into dungeons, seem very remote.